Julien Van Mellaerts

Baritone

Julien Van Mellaerts
REVIEWS

Mr Gedge: Albert Herring / Royal College of Music Internatinal Opera School

“Julien Van Mellaerts as Mr Gedge (the vicar) was the most natural, pursuing the headmistress Miss Wordsworth with glutinous sincerity and some lovely singing.”

Classical Source

 

“Julien Van Mellaerts’ Mr Gedge seizes attention and simply won’t let go. There’s such detail in his oleaginous vicar, so ghastly-fond of Miss Wordsworth that even in the crowded scenes of Act II he draws the eye, constantly inventive.”

The Arts Desk

 

“Julien Van Mellaerts simpers deliciously as Mr Gedge the vicar, providing some of our finest moments of humour …”

Bachtrack

 

“The baritone Julien Van Mellaerts gave a winningly detailed performance as Reverend Gedge, alert to the nuances of the text and aware of his fellow singers…”

Opera

 

Count Danilo: The Merry Widow / Rydale Festival Opera

“Count Danilo was taken with considerable brio by Julien Van Mellaerts…”

Opera

 

Le Mari: Les mamelles de Tirésias / RCMIOS

“As Le Mari, New Zealander Julien Van Mellaerts displayed the characteristic ‘open, engaging tone’ and ‘muscularity and vitality’ that I’d enjoyed at the Kathleen Ferrier Awards Final earlier this year. Van Mellaerts delighted in the grotesqueries and improbabilities, and the brightness and power of his baritone enabled Le Mari to hold his own against his wife’s feminist proselytizing.”

Opera Today

 

Aeneas: Dido and Aeneas / Cheltenham Bach Choir

“Aeneas (who sometimes strikes me as a complete cad) sounded sincerely in love with the queen in Julien Van Mellaerts’ emotionally charged portrayal.”

Seen and Heard International

 

Schaunard: La bohème / Christine Collins Young Artists at Opera Holland Park

"Julien Van Mellaerts sang a very stylish and lively Schaunard."

Mark Ronan Reviews

 

"Julien Van Mellaerts (whom we saw in Rossini's La Gazzetta at the Royal College of Music) and Richard Walshe (who was Figaro in Mozart's Le nozze di Figaro at the Royal College of Music) made a fine double act as Schaunard and Colline. Van Mellaerts was finely amusing in his solo in Act One (when the Bohemians have absolutely no interest in Schaunard's recitation of how he got the money which has bought them the food), and Walshe gave a fine farewell to his overcoat. But more than that, they joined with Christopher Cull and Stephen Aviss to bring out a delightful sense of camaraderie and shared experience in the lives of the four Bohemians, you really did get a sense of it being the four young men against the world. The horse-play was perhaps a little more stately, less rumbustious than usual, but that is no bad thing and the mock dance etc in Act Four made sense in the new context."

Planet Hugill

 

Gabriel von Eisenstein: Die Fledermaus / Royal College of Music International Opera School

“Eisenstein, the philandering husband about to go to prison for assaulting a police officer, was sung by the New Zealand baritone Julien Van Mellaerts. He managed to be both bumptious and suave, while also negotiating the high notes skillfully.”

The Guardian

 

“Julien Van Mellaerts made a nicely fatuous Eisenstein, and his sunny tenorial baritone made one regret the character’s lack of an aria.”

Opera



AUDIO / VIDEO
Julien Van Mellaerts sings Korngold: Die tote Stadt - Pierrot Lied