Sergio Gallardo

Bass Baritone

Sergio Gallardo
REVIEWS

Dulcamara: L’elisir d’amore /Teatro Municipal de Santiago

“Sergio Gallardo was outstanding as the charlatan Dulcamara, both vocally and histrionically.”

Opera World 

 

“Sergio Gallardo was a great Dulcamara, not only vocally, but able t shape acting as well as singing according to the needs of the role.”

Visiones Criticas

 

Sharpless: Madama Butterfly / Temuco Opera

“Sergio Gallardo brought a touching humanity and conviction to his Sharpless.”

El Mercurio

 

“Praised for his buffo roles, Sergio Gallardo provided a real surprise in this serious role, human and sympathetic.”

LUN

 

Dr Bartolo: Il barbiere di Siviglia / Rancagua Opera

“The bass-baritone Sergio Gallardo stood out as Dr Bartolo with an appealing vocal delivery and stage presence.”

Tuiteroscultura

 

Dr Bartolo: Il barbiere di Siviglia / Teatro Municipal de Santiago

“Sergio Gallardo gives a detailed performance with excellent audience rapport. He manages the awkward tessitura of his role (a lot of high F’s) and the frightening pitfalls of his aria with aplomb.”

Mercurio

 

Dr Bartolo: Il barbiere di Siviglia / Théâtre des Champs-Élysées

“He has all the qualities that a Rossini singer needs: virtuosity, legato and a beautiful singing line.”

Operaphile

 

Dr Bartolo: Il barbiere di Siviglia / Théâtre du Capitole, Toulouse

“Sergio Gallardo’s Bartolo is remarkably agile.”

Le Commercial

 

“Sergio Gallardo is a Bartolo of food line.”

Opera

 

“Sergio Gallardo sang the difficult aria “A un dottor della mia sorte” excellently.”

Forum Opéra

 

Taddeo: L’Italiana in Algeri / Teatro Municipal de Santiago

“Sergio Gallardo was vocally impeccable as Taddeo, hilarious in his duet with Mustafa.”

Emol

 

Mustafa: L’Italiana in Algeri / Atelier Lyrique de Tourcoing

“After so many German and Scandinavian Mustafas, it is a pleasure to applaud the Latin voice of the ideally cast Sergio Gallardo.”

Forum Opéra

 

Mustafa: L’Italiana in Algeri / Théâtre des Champs-Élysées

"Sergio Gallardo mkes a fully rounded Mustafa, his stentorian voice impressing in his first scene, "Delle donne l'arroganza" and becoming truly hilarious in the Act Two Finale, "Dei papataci s'avanza il coro."

Forum Opéra



AUDIO / VIDEO
Sergio Gallardo sings Rossini: Il turco in Italia - Se ho da dirla avrei molto piacere