John Rigby trained at the University of Huddersfield and the Royal Northern College of Music. He holds an MMus in Musicology from King’s College London, where he is currently reading for his PhD, as well as an honorary Doctor of Arts from Edge Hill University.
He began his career in Musical Theatre and has been Musical Director for a long list of prestigious productions. In Germany, he was Musical Director for Miss Saigon at the Musical Hall, Stuttgart, and Starlight Express at the Starlight Halle Bochum, whilst West End credits include Beautiful and Damned at the Lyric Theatre, The Drowsy Chaperone at the Novello, The King and I and Sinatra at the London Palladium, The Last Empress at the Apollo, Hammersmith, Marguerite at the Theatre Royal, Haymarket, Les Misérables at the Palace Theatre, The Phantom of the Opera at Her Majesty’s Theatre, Peter Pan and The Pirates of Penzance at the Savoy Theatre and The Producers at the Theatre Royal, Drury Lane.
As musical supervisor, he worked on the UK Tours of The Producers with Peter Kay and Joe Pasquale; The King and I and The Poor Soldier for the Theatre Royal Bury St Edmunds; Cameron Mackintosh’s 25th Anniversary Tour of The Phantom of the Opera in both the UK and the USAand the arena world tour of Jesus Christ Superstar starring Tim Minchin and Melanie C. Most recently he was musical supervisor for the Korean production of Les Misérables in both Daegu and Seoul and the new production of Miss Saigon at London’s Prince Edward Theatre.
In Opera, he has conducted Judith Weir’s The Black Spider at the Huddersfield Contemporary Music Festival, Carmen Jones at London’s Royal Festival Hall with the London Philharmonic Orchestra and the Philharmonia Orchestra, Carousel for Opera North and Die Fledermaus for Opera Holland Park.
In concert, orchestras with whom he has worked include the Berliner Symphoniker, the City of Birmingham Symphony Orchestra, the City of London Sinfonia, the Dublin Concert Orchestra, the Hallé, the London Concert Orchestra, the Manchester Concert Orchestra, Opera North, the Royal Philharmonic Orchestra, the Royal Liverpool Philharmonic Orchestra, the RTÉ Concert Orchestra, the Scottish Concert Orchestra and the Orchestra of Welsh National Opera in a wide and varied repertoire ranging from Elgar’s Enigma Variations to The Pink Panther and Classical Spectacular at the 02 Arena, Berlin.
His recordings and broadcasts include the Original London Cast DVD of Beautiful and Damned, the Original London Cast Albums of The Last Empress and Marguerite, The Best of Classical Spectacular Volume 2 with the Royal Philharmonic Orchestra and Friday Night is Music Night with the BBC Concert Orchestra.
He is Musical Supervisor for The Phantom of the Opera US tour and for the London production of School of Rock. Current conducting projects include the London production of An American in Paris, Madama Butterfly and a Verdi Gala for Lyric Opera, Dublin, Classical Spectacular and the 2017 Johann Strauss Tour, amongst a wide range of other projects, for Raymond Gubbay Ltd, the 2017 Leeds Castle Classical Open Air Concert, Last Night of the Autumn Proms and Summer Classics with the Royal Philharmonic Orchestra and his debut with the RTÉ National Symphony Orchestra.
Please note that this biography is not to be used for programmes. Current information is available on request.
Carmen Jones / Royal Festival Hall
“John Rigby conducted with panache.”
“You do need a top class orchestra, and with the London Philharmonic alternating with the Philharmonia, and sounding buoyant under John Rigby, that base is well covered.”
“The chorus is strong: the Philharmonia, which alternates with the London Philharmonic for the duration of the run, is superb under John Rigby’s brisk beat.”
“Under John Rigby as conductor, the London Philharmonic, which will alternate with the Philharmonia, is wonderfully fleet.”
The Observer “
Madama Butterfly / Lyric Opera, Dublin
“John Rigby’s conducting is evocative, relaying Puccini’s sentimental scoring without any hitch.”
Die Fledermaus / Opera Holland Park
“John Rigby’s superb conducting, which is both rigorously accurate and full of Viennese fizz...”
"Die Fledermaus doesn’t need the greatest singers in the world, the greatest instrumentalists in the world or the most lavish of sets. What it does need, in keeping with the champagne theme that runs through the operetta, is fizz and sparkle. And in the overture at Opera Holland Park, that’s exactly what John Rigby and the City of London Sinfonia gave us, gambolling through the cascade of tunes with energy and definition. Rigby is interesting to watch: strict time from the baton; encouragement and verve from a wide range of facial expressions."
“From the Overture onwards it was clear how well-suited John Rigby’s conducting was for this quintessentially Viennese score, complemented by some idiomatic and lilting playing from the City of London Sinfonia.”
“…exceptionally well conducted by John Rigby.”
"In the pit, John Rigby gets silky-smooth stringtone and plenty of woodwind brio from the City of London Sinfonia."
“John Rigby conducts superbly…”
“Rigby’s stylish conducting…”
"The evening is a delight. John Rigby conducts the City of London Sinfonia in an energetic and stylish account of the score, which they play beautifully. The strings soar with verve, the comedy deftly painted and Prince Orlofsky’s party flourishing with élan. It all resounds with an impressively light, Viennese elegance, perfect complement to Adam Scown’s impressive choreography and the adroit comic timing of a talented cast.”
“Guiding the show, conductor John Rigby exhibited a no-nonsense approach borne of his experience in musical theatre, and the shirt-sleeved City of London Sinfonia served him well...this was a wise conducting appointment for the score danced to a tight beat, while the woodwind players were allowed some slack for their expressive rubatos. The overture took off like a shot and the momentum did not flag."
"Things got off to a superb start with John Rigby's account of the overture. Rigby is a conductor whose credits include substantial experience in West End musical theatre. He encouraged the orchestra to perform with a sense of crisp rhythmic discipline which formed a vivid underpinning of Strauss's lovely melodies. Whilst these were given with the requisite flexibility, I enjoyed the way Rigby brought out the underlying structure. This crisply stylish and engaging performance set just the right tone for the whole operetta."
"John Rigby brings not only energy but genuine Viennese lilt to Strauss’s masterly score."
"John Rigby, experienced in the West End, leads the City of London Sinfonia in a relaxed yet effervescent account of the score"
“Led by John Rigby, the City of London Sinfonia whisks the waltzes into shape."
"John Rigby conducts the fizzing City of London Sinfonia with pizzazz."
What’s On Stage
Classical Spectacular / Hallé Orchestra
“During a faultless first session, conductor John Rigby leads us through interpretations of Wagner, Bizet and Elgar with energy and verve; stopping to offer crowd anecdotes before leading the excellent Hallé orchestra and Leeds Festival Chorus group.”
“Conductor John Rigby engaged with his audience and led the Halle Orchestra beautifully.”
Classical Spectacular / Royal Liverpool Philharmonic Orchestra
“He had the measure of what the audience wanted, and supplied it in full, smoothing the path when needed but often letting the music speak for itself…”
Viennese Whirl / Opera North
“Conductor John Rigby set perfectly-judged and relaxed tempos throughout, and did everything with elegance and flow.”
Huddersfield Daily Examiner
“Rigby captured the pulse of the music with brisk tempi but he allowed space for soe eloquent string and woodwind phrasing of the big Waltz theme.”
Legrand / Schoenberg / Boubil / Kretzmer Marguerite
Ruthie Henshall, Annalene Beechy, Julian Ovenden, Simon Thomas
Original London Cast
FirstNight Records CAST CD 102
The Best of Classical Spectacular - Volume 2
Royal Philharmonic Orchestra
RPO SP 024
Millennium Musical Highlights
Stella Music SPM 7007 - 2