After completing a Bachelor of Music from the Sydney Conservatorium of Music, Australian soprano Anita Watson graduated with honours from the Australian Opera Studio. She was a member of the Cologne Opera Studio 2006-2007 and the Jette Parker Young Artist Programme at the Royal Opera House, Covent Garden for 2007-2009.
She has won prizes in many prestigious competitions including the Australian Singing Competition, the Queen Sonja International Music Competition in Oslo, Neue Stimmen in Germany and the Plácido Domingo Operalia competition. In 2009 she was awarded the first prize and the audience award at the international ARD Music Competition in Munich and in 2010 the SWR Emmerich-Smola Prize.
As a Jette Parker Young Artist at the Royal Opera House, Covent Garden her roles included the title role in Donizetti's Rita, Gretel Hänsel und Gretel, First Lady Die Zauberflöte, Second Woman Dido and Aeneas, Naiad Ariadne auf Naxos and Flowermaiden Parsifal.
Her wider engagements have included Fiordiligi Così fan tutte for Diva Opera, Donna Anna Don Giovanni for Scottish Opera, Pamina Die Zauberflöte for Welsh National Opera, a return to the Royal Opera, London, as First Lady Die Zauberflöte, Mimì La bohème for Opera North and Flowermaiden Parsifal at the BBC Proms.
She made her debut with Opera Australia as Donna Anna Don Giovanni and her international engagements have further included The Governess The Turn of the Screw and Donna Anna Don Giovanni at the Teatro La Fenice, Venice, The Governess The Turn of the Screw at the Théâtre du Capitole, Toulouse, Donna Anna Don Giovanni at the Landestheater Salzburg, Mimì La bohème for the Nederlandse Reisopera, Fifth Maid Elektra at the Salzburg Festival and Anne Trulove The Rake’s Progress at the Teatro Municipal de Santiago.
Anita Watson has appeared worldwide in concerts, recitals and television and radio broadcasts, particular highlights including Beethoven Symphony No. 9 with the Accademia di Santa Cecilia, Roma, and the Melbourne Symphony Orchestra and Richard Strauss Four Last Songs with the Rheinische Philharmonie, Koblenz, and the Mariinksy Orchestra, St Petersburg. Her recordings include Ariadne auf Naxos for Chandos CD, Parsifal for Hallé CD and Fata Morgana – Songs by Pavel Haas for Resonus Classics (BBC Music Magazine Choral & Song Choice for May 2017).
Conductors with whom she has worked include Julia Jones, Speranza Scappucci, Arie van Beek, Sir Colin Davis, Patrick Davin, Andreas Delfs, Sir Mark Elder, Daniele Gatti, Leo Hussain, Lothar Koenigs, Antonello Manacorda, Sir Antonio Pappano, David Syrus, Jeffrey Tate and Mark Wigglesworth.
Current engagements include The Governess The Turn of the Screw for English National Opera, Donna Anna Don Giovanni for the Nederlandse Reisopera and West Australian Opera, further performances as Pamina Die Zauberflöte for Welsh National Opera, A Beethoven Feast with the Royal Northern Sinfonia, Beethoven Symphony No. 9 with the Royal Philharmonic Orchestra, Vivaldi Gloria and a Viennese Gala for Raymond Gubbay Ltd, and a wide range of concerts throughout the UK.
Please note that this biography is not to be used for programmes. Current information is available on request.
Governess: The Turn of the Screw / English National Opera
“Hers is a gorgeous, liquid lyric soprano…”
The Arts Desk
“…she inhabited the character flawlessly.“
“Without disguising the governess’s complexity (like Quint, she says of Miles, “You shall be mine”), Anita Watson powerfully makes her a woman driven more by moral anxiety than by luridly subjective fantasy.”
“As the Governess, Anita Watson sang with a beautifully sweet tone and finely, entrancingly nuanced phrasing; her words – there were no surtitles though copies of the libretto were supplied – were as crystalline as her conception of her own ‘mission.’”
“Anita Watson’s superbly expressive Governess…”
”Anita Watson, brought extensive experience of her role to a taut, tortured account of the Governess.“
Governess: The Turn of the Screw / Teatro La Fenice
“Her free, generous use of a blessedly fresh, full, unforced lyric soprano promises much for the future.”
Donna Anna: Don Giovanni / Nederlandse Reisopera
“Anita Watson unveiled a lithe soprano and delivered a heartfelt “Non mi dir”"
Donna Anna: Don Giovanni / Scottish Opera
“The best singing comes from Anita Watson’s Anna – a sincere and refined performance.”
“Vocal honours must go to Anita Watson’s Donna Anna…”
The Reviews Hub
“…gave a very impressive account of Anna’s arias.”
Seen and Heard International
Mimì: La bohème / Nederlandse Reisopera
“Anita Watson sang an endearing Mimì. Her charisma and crystal clear voice gave Mimì exactly the tenderness the role needs and she sang wonderfully in her death scene.”
Opera Magazine NL
Mimì: La bohème / Opera North
“Most of the audience I guess were new to opera, and genuinely startled and moved by Mimì’s decline and Rodolfo’s panic. Here the performances of Anita Watson and Ji-Min Park were at their impassioned best."
Anne Trulove: The Rake’s Progress / Teatro Municipal de Santiago
“The cast is dominated by the tender and soft soprano of Anita Watson, whose voice displays perfect and almost supernatural delicacy.”
Economía y Negocios
Haas Fata Morgana: Songs by Pavel Haas
Anna Starushkevych, Nicky Spence, James Platt
Navarra Quartet, Lada Valesova (Piano)
Resonus Classics CD RE 10183
R. Strauss Ariadne auf Naxos (role of Naiaid)
Christine Brewer, Gillian Keith, Alice Coote, Robert Dean Smith, Alan Opie
Scottish Chamber Orchestra / Sir Richard Armstrong
Chandos CD CHAN 3168
Wagner Parsifal (role of Second Flowermaiden, Group 1)
Katarina Dalayman, Lars Cleveman, Tom Fox, Detlef Roth, Reinhard Hagen, Sir John Tomlinson
Hallé Orchestra / Sir Mark Elder
Hallé CD CDHLD 7539