Alessandro Fisher

Tenor

Alessandro Fisher
REVIEWS

Bellecourt: Vert-Vert / Garsington Opera at Wormsley

“Oxford Lieder Young Artists Winner Alessandro Fisher is the other tenor delight of this mixed evening.”

The Arts Desk

 

“He has an open, warm and soft-grained tenor: a delight to listen to.”

Musical Criticism

 

Christian: Die Schuldigkeit des ersten Gebotes / Classical Opera

“…sung with notable control and a steady, sympathetic tone by the tenor Alessandro Fisher…”

The Arts Desk

 

“As Christian, Alessandro Fisher, battling bronchitis though you would scarcely have guessed from his warm, lyrical tone, took physical risks (swooning to the ground in a confined space) and had lovely, rakish charm.”

The Guardian

 

Law Student: And London Burned / Temple Church

“Alessandro Fisher brings his considerable vocal lustre to bear on hios role as the insipid Law Student.”

The Financial Times

 

Banquo: Macbeth (Luke Styles) / Linbury Studio Theatre

“…a soft-toned, engagingly naïve portrayal from Alessandro Fisher…”

Bachtrack

 

“…notable contributions from (ia) Alessandro Fisher’s forthright Banquo.”

The Guardian

 

Kathleen Ferrier Awards 2016 / Wigmore Hall, London

“Fisher’s performance was supremely accomplished, delivering songs in French, Russian, German and Italian with equal ease – and his high notes were floated with exceptional grace.”

The Independent

 

“Fisher was an engaging story-teller, relaxed of voice, singing with sensitive phrasing. Fisher’s voice was sweet and dreamy, but never unfocused, perfectly conveying the mystery and pathos of loss.”

Opera Today



AUDIO / VIDEO
Alessandro Fisher sings “Ach, so fromm” - Martha (Von Flotow)