Aoife Miskelly

Described by The Times as offering “charming, sparkling, and exquisite singing,” Northern Irish soprano Aoife Miskelly is known for her extensive breadth of repertoire and versatility as a singing actress. She is an award-winning graduate and Associate of the Royal Academy of Music London.

After several seasons singing major roles as a principal soprano at Oper Köln, she is now a freelance soloist. Her career takes her across Europe and beyond, with appearances at major houses including the Festival d’Aix-en-Provence, Hyogo Performing Arts Center, Japan and the Royal Opera House Oman, as well as with Irish National Opera, NI Opera, Nevill Holt Opera, Opera North and Welsh National Opera.

Blessed with perfect pitch, Aoife Miskelly’s contemporary experience includes Cecily Cardew in the Irish premiere of Gerald Barry’s The Importance of Being Earnest, Harey in the German premiere of Detlev Glanet’s Solaris and Sophie Scholl in the world premiere of Peter Maxwell Davies’ Kommilitonen!, alongside premieres by Donnacha Dennehy, Jonathan Dove and Mark-Anthony Turnage.

Her repertoire further includes Helena A Midsummer Night’s Dream, Female Chorus The Rape of Lucretia, The Governess The Turn of the Screw, Vixen Sharp-Ears The Cunning Little Vixen, Thérèse Les mamelles de Tirésias, Snegurochka The Snow Maiden and Gilda Rigoletto.

Working with conductors including Julia Jones, Nicholas Chalmers, Laurence Cummings, Matthew Halls, Tomáš Hanus, Rafael Payare, Raphaël Pichon, Xavier Roth, Essa-Pekka Salonen, Yutako Sado, Markus Stenz and Peter Whelan, she has performed with orchestras including the Academy of Ancient Music, Britten Sinfonia, the London Philharmonic Orchestra, the Philharmonia Orchestra, Royal Northern Sinfonia, the Irish Baroque Orchestra, the Irish Chamber Orchestra, the RTÉ Concert and National Symphony Orchestras, Ensemble Pygmalion, the Akademie für Alte Musik, Berlin, the Gürzenich Orchester and the NDR Radio Philharmionie.

Her concert repertoire includes J. S. Bach’s Christmas Oratorio, St John and St Matthew Passions, Beethoven’s Christus am Ölberge, Brahms’ Ein deutsches Requiem, Handel’s Messiah and Saul, Mozart’s Mass in C Minor and Requiem and Poulenc’s Gloria. Her recordings include Ino in the Gramophone Award Nominated recording of Eccles’ Semele with the Academy of Ancient Music conducted by Julian Perkins.

Aoife Miskelly sang Idaspe in the Olivier Award winning production of Vivaldi’s Bajazet presented in collaboration by Irish National Opera and The Royal Opera House, Covent Garden, and her recent engagements have further included Euridice L’Orfeo for Longborough Festival Opera, Musetta La bohème for Welsh National Opera, he St Matthew Passion on tour with RIAS Kammerchor, Handel Aminta e Fillide for Bridgepoint Baroque, Laudate Pueri with the Akademie für Alte Musik, Berlin, Messiah with the Ulster Orchestra, Dedication and Opus Alpha at the Beverley Chamber Music Festival and Eventide till Dawn for SongEasel. 

Her current engagements include Bird Blond Eckbert for Potsdamer Winteroper and Elijah with 1885 Singers and Orchestra at St John’s, Smith Square.

Please note that this biography is not to be used for programmes. Current information is available on request.