Described by The Times as offering “charming, sparkling, and exquisite singing,” Northern Irish soprano Aoife Miskelly is known for her extensive breadth of repertoire and versatility as a singing actress. She is an award-winning graduate and Associate of the Royal Academy of Music London.
After several seasons singing major roles as a principal soprano at Oper Köln, she is now a freelance soloist. Her career takes her across Europe and beyond, with appearances at major houses including the Festival d’Aix-en-Provence, Hyogo Performing Arts Center, Japan and the Royal Opera House Oman. Highly regarded for her interpretations of Mozart’s heroines, Aoife Miskelly’ has sung Servilia La clemenza di Tito, Donna Elvira Don Giovanni, Susanna and Cherubino Le nozze di Figaro and Pamina Die Zauberflöte.
Blessed with perfect pitch, Aoife Miskelly’s contemporary experience includes Cecily Cardew in the Irish premiere of Gerald Barry’s The Importance of Being Earnest, Harey in the German premiere of Detlev Glanet’s Solaris and Sophie Scholl in the world premiere of Peter Maxwell Davies’ Kommilitonen!, alongside premieres by Donnacha Dennehy, Jonathan Dove and Mark-Anthony Turnage.
Her repertoire further includes Helena A Midsummer Night’s Dream, Female Chorus The Rape of Lucretia, The Governess The Turn of the Screw, Vixen Sharp-Ears The Cunning Little Vixen, Thérèse Les mamelles de Tirésias, Snegurochka The Snow Maiden and Gilda Rigoletto.
Working with conductors including Julia Jones, Laurence Cummings, Tomáš Hanus, Rafael Payare, Raphaël Pichon, Xavier Roth, Essa-Pekka Salonen, Yutako Sado, Markus Stenz and Peter Whelan, she has performed with orchestras including the Academy of Ancient Music, Britten Sinfonia, the London Philharmonic Orchestra, the Philharmonia Orchestra, Royal Northern Sinfonia, the Irish Baroque Orchestra, the Irish Chamber Orchestra, the RTÉ Concert and National Symphony Orchestras, Ensemble Pygmalion, the Akademie für Alte Musik, Berlin, the Gürznich Orchester and the NDR Radio Philharmionie.
Her concert repertoire includes J. S. Bach’s Christmas Oratorio, St John and St Matthew Passions, Beethoven’s Christus am Ölberge, Brahms’ Ein deutsches Requiem, Handel’s Messiah and Saul, Mozart’s Mass in C Minor and Requiem and Poulenc’s Gloria. Her recordings include Ino in the Gramophone Award Nominated recording of Eccles’ Semele with the Academy of Ancient Music conducted by Julian Perkins.
Aoife Miskelly sang Idaspe in the Olivier Award winning production of Vivaldi’s Bajazet for Irish National Opera and The Royal Opera House, Covent Garden. Her current engagements include Musetta La bohème for Welsh National Opera, the St John Passion with the RTÉ National Symphony Orchestra, Messiah with the Ulster Orchestra, Elijah in Southwark Cathedral, Pierrot Lunaire with Belfast’s Hard Rain Ensemble and Dedication at the Beverley Chamber Music Festival.
Please note that this biography is not to be used for programmes. Current information is available on request.
