Julien Van Mellaerts
Winner of the Maureen Forrester Prize and the German Lied Award at the 2018 Concours Musical International de Montréal, Winner of the 2017 Wigmore Hall / Kohn Foundation International Song Competition, the 2017 Kathleen Ferrier Awards, and the 2015 Maureen Lehane Vocal Arts Award, British / New Zealand baritone Julien Van Mellaerts studied at the University of Otago, before joining the International Opera School of the Royal College of Music. His studies have been supported by the 2016 Kiwi Music Scholarship, a 2016 Countess of Munster Award, the Hunn Trust and the ongoing support of the Dame Kiri Te Kanawa Foundation. He graduated in Summer 2017, having been a Fishmongers Company Scholar, supported by a Toeman Weinberger Award studying with Russell Smythe. On Graduation, he was awarded the Tagore Gold Medal. He is also a scholar and alumnus of the 2017 Verbier Festival Academy, the 2018 Heidelberger Frühling Lied Academy with Thomas Hampson, and the 2018 Bayreuth Festspiele Stipendium.
At the Royal College of Music, he sang Mr Gedge Albert Herring, Maître Pausanias Une education manquée, Nardo La finta giardiniera, Le Mari / Le Directeur Les mamelles de Tirésias and Gabriel von Eisenstein Die Fledermaus.
His engagements elsewhere have included Gustavo Faramondo for the London Handel Festival, Count Danilo The Merry Widow for Ryedale Festival Opera, Apollo L’Orfeo for Otago Opera, Schaunard La bohème for Haddo House Opera and Opera Holland Park as a Christine Collins Young Artist, Dandini La cenerentola for Diva Opera and Second Nazarene / Second Soldier Salome at the 2017 Verbier Festival.
Concert highlights have included the St John Passion and Messiah with the Orchestra of St John’s, Paul Carr’s Requiem for an Angel with the Bournemouth Symphony Chorus and the world première of Lewis Murphy’s Land Unknown at New Zealand House, The Genius of Mozart with the Orion Orchestra and Carmina Burana at The Snape Maltings. Recital engagements have included performances with Christopher Glynn at the Ryedale Festival and with Nigel Foster at the London Song Festival. His broadcasts include In Tune (BBC Radio 3), Mahler’s Des Knaben Wunderhorn (Rádio Clásica España) and Salome (Medici TV).
Highlights of 2017 / 2018 included performances with Julius Drake for the BBC Lunchtime Series at the Wigmore Hall, the Enniskillen International Beckett Festival and the Juan March Foundation, Madrid, The Referee Mozart vs Machine for Mahogany Opera Group, Harlekin Ariadne auf Naxos for Longborough Festival Opera, the title role in Eugene Onegin for Cambridge Philharmonic Society, Mr Fezziwig in the premiere of Will Todd’s A Christmas Carol for Opera Holland Park, Fauré Requiem with the English Festival Orchestra at the Royal Albert Hall, Vaughan Williams Hodie with The London Chorus at Cadogan Hall, recitals for Leeds Lieder, Lewes Festival of Song and the London Song Festival and Elizabeth with the Royal Ballet at the Barbican Hall.
During 2018 / 2019, he tours with James Baillieu for Chamber Music New Zealand. His current engagements additionally include further recitals with Julius Drake at the Pierre Boulez Saal, Berlin and at Temple Song, London, Schaunard La bohème for New Zealand Opera, the title role in Stanford’s The Travelling Companion for New Sussex Opera (to be recorded by SOMM Recordings), Britten War Requiem in Lincoln and Salisbury Cathedrals, Copland Old American Songs with the Joensuu City Orchestra, Messiah with the Orchestra of St John’s, Mahler Kindertotenlieder with the Kensington Symphony Orchestra and Lieder eines fahrenden Gesellen on tour with the Israel Camerata and with the Orion Orchestra, A Heine Liederkreis at Oxford Lieder 2018, the Dame Kiri Te Kanawa Foundation Concert at the Wigmore Hall, recitals with Simon Lepper for the Canterbury Music Club and the Lied Festival Victoria de los Ángeles (LIFE Victoria), Barcelona, and with Richard Fu at Paul Hall, New York City.
Looking ahead, his future engagements include Figaro Le nozze di Figaro under the direction of Sir András Schiff and Roland Villazón at Salzburg MozartWoche 2020, a return to the Wigmore Hall and a recital for the Gustav Mahler FESTIVAL Amsterdam 2020.
Please note that this biography is not to be used for programmes. Current information is available on request.
Kathleen Ferrier Awards 2017 / Wigmore Hall
“…van Mellaerts cut an assured figure on stage and sang with an open, engaging tone.”
Wigmore Hall / Kohn Foundation International Song Competition 2017
“A beautiful voice is not enough to animate a recital, and animation was what the New Zealand baritone Julien Van Mellaerts and the British pianist Gamal Khamis brought to their Schumann, Britten, Tchaikovsky and Debussy, alert to the specifics of style, language and character in each miniature narrative. No surprise that Van Mellaerts, witty and wiry-toned, walked away with the top prize.”
Elizabeth / Royal Ballet at the Barbican
“Julien Van Mellaerts’ baritone songs are beautifully, conversationally delivered…”
The Arts Desk
“…the baritone Julien Van Mellaerts brings the songs to life with warmth and wit.”
Mr Gedge: Albert Herring / Royal College of Music Internatinal Opera School
“Julien Van Mellaerts as Mr Gedge (the vicar) was the most natural, pursuing the headmistress Miss Wordsworth with glutinous sincerity and some lovely singing.”
“Julien Van Mellaerts’ Mr Gedge seizes attention and simply won’t let go. There’s such detail in his oleaginous vicar, so ghastly-fond of Miss Wordsworth that even in the crowded scenes of Act II he draws the eye, constantly inventive.”
The Arts Desk
“Julien Van Mellaerts simpers deliciously as Mr Gedge the vicar, providing some of our finest moments of humour …”
“The baritone Julien Van Mellaerts gave a winningly detailed performance as Reverend Gedge, alert to the nuances of the text and aware of his fellow singers…”
Count Danilo: The Merry Widow / Ryedale Festival Opera
“Count Danilo was taken with considerable brio by Julien Van Mellaerts…”
Le Mari: Les mamelles de Tirésias / RCMIOS
“As Le Mari, New Zealander Julien Van Mellaerts displayed the characteristic ‘open, engaging tone’ and ‘muscularity and vitality’ that I’d enjoyed at the Kathleen Ferrier Awards Final earlier this year. Van Mellaerts delighted in the grotesqueries and improbabilities, and the brightness and power of his baritone enabled Le Mari to hold his own against his wife’s feminist proselytizing.”
Aeneas: Dido and Aeneas / Cheltenham Bach Choir
“Aeneas (who sometimes strikes me as a complete cad) sounded sincerely in love with the queen in Julien Van Mellaerts’ emotionally charged portrayal.”
Seen and Heard International
The Travelling Companion / New Sussex Opera
“Outstanding was Julien Van Mellaerts as the Companion, binding the tale together and reflecting the interface between the temporal and magical worlds with his warm and richly focused baritone.”
“Julien Van Mellaerts used his lovely, beguiling tone and dramatic nous to make us warm to this Nick Shadow with good intentions.”
“Julien Van Mellaerts made The Travelling Companion a bluff, hearty man whose mysterious nature we only gradually came to appreciate. Van Mellaerts sang with engaging tone. Yet in the few occasions when The Travelling Companion shows his otherworldly powers, such as the scene where he hears and mysteriously echoes the princess's inner thoughts, Van Mellaerts hinted at the character's hidden depths. The ending was very British stiff upper lip, it could hardly be anything else given the period of the setting, yet Van Mellaerts conveyed much emotion.”
“…the professional leads – notably Kate Valentine as a princess with a Turandot complex and Julien Van Mellaerts as the (possibly angelic) Travelling Companion went at it with absolute sincerity and a real sense of Stanford’s lyrical idiom.”
“…there are finely achieved performances from David Horton, a likeable Everyman-figure as John, Julien Van Mellaerts as his enigmatic companion, Kate Valentine as the determined Princess, and Pauls Putnins as her fair-minded father.”
“…the soloists – David Horton as the lad, Julien Van Mellaerts as the stranger, Kate Valentine as the princess, and Pauls Putnins, Felix Kemp and Ian Beadle in smaller roles – are all admirable…”
Schaunard: La bohème / Christine Collins Young Artists at Opera Holland Park
"Julien Van Mellaerts sang a very stylish and lively Schaunard."
Mark Ronan Reviews
"Julien Van Mellaerts (whom we saw in Rossini's La Gazzetta at the Royal College of Music) and Richard Walshe (who was Figaro in Mozart's Le nozze di Figaro at the Royal College of Music) made a fine double act as Schaunard and Colline. Van Mellaerts was finely amusing in his solo in Act One (when the Bohemians have absolutely no interest in Schaunard's recitation of how he got the money which has bought them the food), and Walshe gave a fine farewell to his overcoat. But more than that, they joined with Christopher Cull and Stephen Aviss to bring out a delightful sense of camaraderie and shared experience in the lives of the four Bohemians, you really did get a sense of it being the four young men against the world. The horse-play was perhaps a little more stately, less rumbustious than usual, but that is no bad thing and the mock dance etc in Act Four made sense in the new context."
Schaunard: La bohème / New Zealand Opera
”Julien Van Mellaerts a lively Schaunard with his rich baritone and high-spirited acting...“
Gabriel von Eisenstein: Die Fledermaus / RCMIOS
“Eisenstein, the philandering husband about to go to prison for assaulting a police officer, was sung by the New Zealand baritone Julien Van Mellaerts. He managed to be both bumptious and suave, while also negotiating the high notes skillfully.”
“Julien Van Mellaerts made a nicely fatuous Eisenstein, and his sunny tenorial baritone made one regret the character’s lack of an aria.”
Harlequin: Ariadne auf Naxos / Longborough Festival Opera
“Julien van Mellaerts’s Harlequin and Aidan Coburn’s Brighella are especially memorable.“
The Arts Desk
“…a marvellously directed and funny quartet of comedians from Aidan Coburn, Richard Roberts, Timothy Dawkins and, in especially good voice, Julien van Mellaerts.”