Alessandro Fisher


Alessandro Fisher

Kathleen Ferrier Awards 2016 / Wigmore Hall, London

“Fisher’s performance was supremely accomplished, delivering songs in French, Russian, German and Italian with equal ease – and his high notes were floated with exceptional grace.”

The Independent


“Fisher was an engaging story-teller, relaxed of voice, singing with sensitive phrasing. Fisher’s voice was sweet and dreamy, but never unfocused, perfectly conveying the mystery and pathos of loss.”

Opera Today


Songs by Prince Albert of Saxe-Coburg and Gotha / BBC Proms 2019

“Alessandro Fisher’s light tenor was ideal for these tender settings, and his admirable diction enhanced the stylish phrasing.”

Classical Source


“…his light tenor mellow and enviably even-toned.”

The Guardian


“Alessandro Fisher’s tenor voice was spot on for delivery of the Lieder, which he did with sensitivity and well-judged technique.”

Music OMH


“…in five sub-Schubertian songs by Prince Albert, mellifluously sung by Alessandro Fisher, you did get a feel for how musical soirées must have sounded in the 1850’s.”


The Times


War Requiem / Lincolnshire Remembers

“Fisher sang with a beautifully elegant sense of line, not being frightened to fine his tone right down.”

Planet Hugill


Theodore: Raymond and Agnes / Retrospect Opera CD

“Alessandro Fisher is first-rate as Raymnd’s Pedrillo-like valet.”



Fabio: Berenice / Royal Opera, London

“Alessandro Fisher impressed with a strong, flexible tenor as Fabio.”



“…with a finely nuanced tenor voice and plenty of acting aplomb.”

Music OMH


“I particularly liked Alessandro Fisher, a stylish and meaty tenor…”

Opera Now


“…strong voiced and with bags of presence.”

Seen and Heard International


Fenton: Falstaff / The Grange Festival

“…delightfully partnered by Alessandro Fisher’s Fenton, whose “Dal labbro” is enough to make you curse its brisk interruption by Alice and her fellow masqueraders.“

The Arts Desk


 “…gave an ardent performance as Nannetta’s young beau with his supple, lyrical tenor...”



“Alessandro Fisher is a gratifying Fenton – whose ardent tenor rings out tellingly in the final scene.”

Classical Source


“Alessandro Fisher’s subtly voiced Fenton…”

Financial Times


“As Fenton, Alessandro Fisher sang with real Italianate ardour, his phrases meltingly sweet and his high notes effortlessly floated...”

Music OMH


“Alessandro Fisher’s winning Fenton, his last-act aria a dreamy highlight.”



“The sweet, puppyish Fenton of Alessandro Fisher…’

Opera Now


“Alessandro Fisher’s Fenton oozes graceful tenor charm…”

The Stage


“Alessandro Fisher’s lyrical Fenton…”


The Sunday Times


Lucano: L’Incoronazione di Poppea / Salzburg Festival

“Alessandro Fisher, as Lucano, did a great job in a very sensuous duet with Kate Lindsey’s Nerone.“



Bastien: Bastien und Bastienne / Signum CD

”As Bastien, Alessandro Fisher is light-voiced, ardent and convincing…”

MusicWeb International


“…an enchanting performance…the vocal freshness and allure of Anna Lucia Richter’s Bastienne and Alessandro Fisher’s Bastien…”



Don Polidoro: La finta semplice / Classical Opera

“Given tenor Alessandro Fisher’s honeyed tones, Rosina might have done better to choose him; why she falls for Don Cassandro is a mystery…”

The Arts Desk


”Lukas Jakobski presented his strong bass to excellent effect as Don Cassandro and Alessandro Fisher his equally accomplished tenor as Don Polidoro, with the splendid acting of both helping to stamp out their respective characters.“

Music OMH


“Alessandro Fisher, the possessor of an exceptionally melliflous lyric tenor.”



“Alessandro Fisher’s gentle tenor beautifully expressed the hapless, hopeless Don Polidoro’s tender but ardent avowal of love, ‘Sposa cara.’”

Opera Today


Bastien: Bastien und Bastienne / Classical Opera

”Alessandro Fisher was if anything still finer than heard in the recording, his eloquence in ‘Meiner Liebsten schöne Wangen’ (‘My beloved’s lovely cheeks’) a delight.“

Seen and Heard International


Christian: Die Schuldigkeit des ersten Gebotes / Classical Opera

“…sung with notable control and a steady, sympathetic tone by the tenor Alessandro Fisher…”

The Arts Desk


“As Christian, Alessandro Fisher, battling bronchitis though you would scarcely have guessed from his warm, lyrical tone, took physical risks (swooning to the ground in a confined space) and had lovely, rakish charm.”

The Guardian


“Alessandro Fisher was touching as the vacillating Christian. Flexible and agile of voice when lured by Worldly Spirit’s seductive charms, his tone took on a darker hue when he recalled the torments of Hell and Judgement…”



“Alessandro Fisher is a welcome new tenor on the block, smooth and elegant.”

Opera Now


Bellecourt: Vert-Vert / Garsington Opera at Wormsley

“Oxford Lieder Young Artists Winner Alessandro Fisher is the other tenor delight of this mixed evening.”

The Arts Desk


“He has an open, warm and soft-grained tenor: a delight to listen to.”

Musical Criticism


Law Student: And London Burned / Temple Church

“Alessandro Fisher brings his considerable vocal lustre to bear on hios role as the insipid Law Student.”

The Financial Times


Arcas: Dardanus / English Touring Opera

“…Alessandro Fisher, whose lines leapt over the footlights.”



Dardanus / English Touring Opera

“Vocally the evening belongs to Alessandro Fisher. Originally cast in a supporting role, he stepped up into the title role with enormous confidence and a most wonderfully limpid tone to really make his mark. It is hard to imagine the role being sung better.”

Daily Info


Count Bandiera: La scuola de’ gelosi / Bampton Classical Opera

“As the Count, tenor Alessandro Fisher was every inch the Georgette Heyer hero in a bravura performance, naturally commanding and fabulously insouciant, with lyrical tone and surprising philosophical depth behind his agenda of pleasure...“



“Alessandro Fisher in the central role convincingly embodies the nature of a confident, charming rake with lyrical and well-projected singing…”

Classical Source


“Fisher displayed an appealing soft-grained tenor, expressive eyes and comic nous.”



Banquo: Macbeth (Luke Styles) / Linbury Studio Theatre

“…a soft-toned, engagingly naïve portrayal from Alessandro Fisher…”



“…notable contributions from (ia) Alessandro Fisher’s forthright Banquo.”

The Guardian


Loder Raymond and Agnes (role of Theodore)
Majella Cullagh, Carolyn Dobbin, Mark Milhofer, Alexander Robin Baker, Andrew Greenan, Retrospect Opera Chorus
Royal Ballet Sinfonia / Richard Bonynge
Retrospect Opera CD RO 005

Monteverdi L’Incoronazione di Poppea (roles of Lucano / First Soldier)
Sonya Yoncheva, Ana Quintans, Kate Lindsey, Stéphanie d’Oustrac, Dominique Visse, Carlo Vistoli, Marcel Beekman, Renato Dolcini
Les Arts Florissants / William Christie
Harmonia Mundi CD / DVD HAF 890262224Mozart Bastien und Bastienne (role of Bastien)

Anna Luisa Richter, Darren Jeffrey
Classical Opera & The Mozartists / Ian Page
Signum CD SIGCD 547

Roussel Evocations
Kathryn Rudge, François le Roux
CBSO Chorus, BBC Philharmonic / Yan Pascal Tortelier
Chandos CD CHAN 10957

Alessandro Fisher sings La Barcheta from Hahn’s Venezia.