Uldino: Attila / Royal Opera, London, 2022
“Egor Zhuravskii’s Uldino made a fine impression, another excellent singer who acts as testatment to the ongoing success of the Jette Parker Young Artists scheme.”
Seen and Heard International
Beppe: Pagliacci / Royal Opera, London, 2022
“Egor Zhuravskii’s appealing Beppe…”
The Stage
Vasily: Mavra / Royal Opera, London, 2022
“Egor Zhuravskii’s tidy Vasily – darkly Russian tone meeting bel canto control and sweetness.”
The Arts Desk
“Egor Zhuravskii, a singer to watch on this showing, dominates Mavra with his supple, elegant tenor.”
The Guardian
“Egor Zhuravskii as Mavra stole the show, appearing for all the world like the bastard child of one of Rossetti’s pre-Raphaelite models and a pantomime dame. And it has to be said, he did look absolutely fabulous in maid’s outfit and high heels. His final aria revealed a tenor of lyrical elegance.”
Opera
Malcolm: Macbeth / Royal Opera, London, 2021
“The two young tenors – David Junghoon Kim (Macduff) and Egor Zhuravskii (Malcolm) – both make their mark in this wickedly enjoyable revival.”
iNews
“Fortunately, a fine pair of tenors took over the antagonistic duties with David Junghoon Kim (Macduff) and Egor Zhuravskii (Malcolm) mellifluous, plausible and well-differentiated leaders in the final battle.”
Opera
“Egor Zhuravskii sounds luminous as Malcolm.”
The Stage
Gastone de Letorières: La traviata / Royal Opera, London, 2021
“My eye was caught by Egor Zhuravskii’s Gastone both for a smooth-voiced tenor and for a confidence in his movement around stage, which was almost as elegant as the dancers surrounding him at Flora’s ball.”
Bachtrack
“Egor Zhuravskii was a particularly elegant Gastone de Letorières.”
Opera Today
Jette Parker Young Artists Summer Performance/ Royal Opera, London, 2021
“The most enchanting moment came with the balcony scene from Gounod’s Roméo et Juliette, with just a few filamented lightbulbs punctuating the darkness like stars – the perfect atmosphere for tenor Egor Zhuravskii and soprano Alexandra Lowe to fall hopelessly in love. Their performances as the famous star-crossed lovers could happily grace any major opera house, Zhuravskii’s warm lyric tenor blending beautifully with Lowe’s exquisitely silvery sound.”
Bachtrack
“Alexandra Lowe and Egor Zhuravskii adapted their voices beautifully to the delicate demands of Gounod’s melodic impulse. This was, in short, French singing of the highest order, fully worthy of the grandest of grand stages.”
Opera
