Winner of Second Prize at the 2020 Kathleen Ferrier Awards, Ella Taylor is a soprano with a passion for performing contemporary music and works by women and gender non-conforming artists. They graduated from the Royal Academy of Music, where they gained Distinction in MA Performnace, a DipRAM for an outstanding final recial and the Charles Norman Prize and during 2019 / 2020 were a Young Artist at London’s National Opera Studio, their studies generously supported by Cooper Sinclair, the Sybil Tutton Award from Help Musicians UK and the Opera Awards Foundation. They currently study with Elizabeth Ritchie. Accolades include the Lesley Garrett Opera Prize (David Clover Singers Platform), finalist in the Peter Hulsen Orchestral Song Award with the Southbank Sinfonia, and being awarded BBC Chorister of the Year.
Their operatic engagements have ncluded Paris Paride ed Elena for Bampton Classical Opera, The Cock The Cunning Little Vixen on tour with the City of Birmingham Symphony Orchestra conducted by Mirga Gražinytė-Tyla (Birmingham, Dortmund, Hamburg, Paris), Fiordiligi Così fan tutte for Wild Arts Opera and Gerda in Errollyn Wallen’s The Paradis Files for Graeae,
Notable concert highlights have included Momentum: Our Future, Now Recitals with Roderick Williams for the 2021 Brighton Festival and at Vinehall School, Pierrot Lunaire with The Façade Ensemble Lunaire and Alicia Thomas’ Tell me when you get home with the London Sinfonietta.
Their broadcasts include Oliver Knussen’s Trumpets from the British Composer Awards, The Paradis Files, In Tune, Music Matters and This Classical Life for BBC Radio 3, whilst their recordings include Burst forth my tears / Flow my tears (featuring music by John Dowland arranged for synthesisers), available on Classical Remix, Sparrow in Rylan Gleave’s Powder Down for Shadwell Opera’s Digital Commission Series, Josquin des Prez: Mille Regretz for English Touring Opera’s Spring 2021 Digital Season and Caroline Shaw’s Is a Rose with Philharmonia Orchestra conducted by Oliver Zeffman, available on Platoon.
Ella Taylor is a keen collaborator and recitalist, making a dedicated effort to work with and perform works by people underrepresented in classical music. Recent collaborations include the project After Violence with _REMIX; an exploration of violence and masculinity through a queer lens with drag artist Rhys’s Pieces, as well as working with composers and librettists in the creation of new, LGBT+ work. Recently, they gave a talk for the Royal Opera House’s Engender 2021 Festival about navigating a career as a trans opera singer, and how companies can be the most effective allies they can be. They also have performed at Leeds Lieder as part of the Composer, Poets Forum. with Ensemble 360 at Music in the Round and as an Emerging Artist fior Oxford Lieder.
Engagements last season included Meritaten Akhnaten for English National Opera, Belinda / Second Witch Dido and Aeneas at the Ustinov Studo Theatre of the Royal Theatre, Bath, Anne Trulove The Rake’s Progress (Cover) for Glyndebourne Festival Opera, Tebaldo Don Carlo for The Royal Opera, London, Górecki’s Symphony of Sorrowful Songs with the Philharmonia Orchestra at the Bold Tendencies Festival, Mahler Symphony No. 2 with Sheffield Philharmonic Orchestra, Messiah with both Huddersfield Choral Society and the Royal Philharmonic Orchestra at London’s Royal Albert Hall, Vaughan Williams Dona nobis pacem with Britten Sinfonia at the Brighton Festival and Classical Pride at the Barbican with the City of Birmingham Symphony Orchestra.
Engagements during 2023 / 2024 currently include The Activist in the première of Ellen Reid’s The Shell Trial for Dutch National Opera, a return to The Royal Opera, London, as Fourth Maid Elektra and Joe Hisaishi: Symphonic Concert: Music from the Studio Ghibli Films of Hayao Miyazaki at OVO Arena Wembley.
A Feature Interview appeas in e Septmber 2021 edition of Opera Now.
Please note that this biography is not to be used for programmes. Current information is available on request.
Caroline Shaw: Is a Rose / Platoon 2023
“Ella Taylor’s gorgeous voice reaches new heights in the bonus track, from Season Two of The White Lotus.”
BBC Music Magazine (5*)
Tebaldo: Don Carlo / The Royal Opera 2023
“Spritely Ella Taylor (Tebaldo) flits protectively around Elizabeth, their tone positively birdlike.”
“Ella Taylor, debuting at The Royal Opera, was a bright Tebaldo…”
“…there is excellent support from Ella Taylor as Tebaldo.”
“As Tebaldo, Elizabeth’s Page, Ella Taylor made a strong impression…”
Seen and Heard International
Belinda / Second Witch: Dido and Aeneas / Ustinov Studio of Theatre Royal Bath
“In a uniformly strong cast, pride of place goes to the Belinda of Ella Taylor, a clarion soprano…”
“Blessed with a strong, distinctive voice, the all-out star of the evening is soprano Ella Taylor…”
“The vivid-toned soprano Ella Taylor as Belinda / Witch had arresting stage presence and sang with intensity as they, by turn, supported and confronted the bewildered Dido.”
“Ella Taylor shines in the contrasts of the dual Belinda / Second Witch role: confidante one moment, spitting horrors the next.”
“Best of all was Ella Taylor’s Belinda, whose soprano voice glints and gleams, and who makes us feel, acutely, their despair at Dido’s death.”
“…an outstanding performance from soprano Ella Taylor as Belinda…”
Fiordiligi: Così fan tutte / Wild Arts
“Outstanding in a strong cast was the rising star soprano Ella Taylor as redoubtable Fiordiligi, a voice of tempered steel, wrapped in a warm velvet cloak.”
Gerda: The Paradis Files / Graeae 2022
“…Ella Taylor in the role of Gerda was a warm and sustaining presence.”
“…a witty Ella Taylor…”
Alicia Jane Turner: Tell me when you get home / London Sinfonietta 2022
“The sung lines, spoken passages and abstract vocalising were delivered with straightforward directness, reaching an almost overwhelming intensity towards the end of the piece…”
The Cock / Innkeeper’s Wife: The Cunning Little Vixen / CBSO Tour 2021
“Ella Taylor gives their all as The Cock and The Innkeeper’s Wife with their strong, clear soprano.”
“Ella Taylor’s precision is incontestable.”
Paris: Paride ed Elena / Bampton Classical Opera 2021
“Taylor proved more than equal to the demands of style and technique, singing with a beautifully even tone – strong and smooth across the registers, and with a shining glow at the top – fully expressive of Paris’ passion.”
“Ella Taylor made a bold and determined Paris, their firm voice charting a lithe and lively line.”
Opera Now (5 stars)
“Ella Taylor proved near ideal as Paris, they brought a bright flexibility to the vocal line and allowed a sense of tragic intensity to gradually build. Their solo which concluded Act Two was terrific, and it was simply part of a whole, we never doubted Paris’ seriousness or passion.”
“…their voice is bright, again notably clear in diction and responsive to nuance.”
Seen and Heard International
Kathleen Ferrier Awards 2020 / Henry Wood Hall, London / Opera Today
“Taylor confirmed an impressive interpretative range in Fiordiligi’s ‘Teremari! … Come scoglio’ from Mozart’s Così fan tutte. Both outer indignance and inner feeling were apparent in the compelling recitative, and it’s rare to hear the extreme vocal leaps as cleanly delivered as this, even from the most established singers. Taylor has a hearty lower register and a glowing top; in between the tone is even and controlled. Ornaments and trills were spot on, and the coloratura runs left one in no doubt of the soprano’s stamina and precision. The tone was never compromised by the virtuosity and they remained musically unruffled throughout.”
The Creation / Sheffield Bach Choir
“Of the vocal soloists, outstanding was the soprano Ella Taylor…an enviable maturity of voice and musicianship.”
The Church Times
Momentum: Our Future, Now Recital with Roderick Williams
“Taylor had a beautifully rounded tone and some irresistible vibrato…”
“Ella Taylor’s bright soprano convincingly conveyed the sensuously apprehensive ecstasy in ‘Ganymed’ and the naïve indignation of ‘Die Forelle…”
John Dowland & Benjamin Tassie Burst Forth My Tears / Flow My Tears
Classical Remix Digital
Rylan Gleave Powder Down (role of Sparrow)
Lea Katherine Shaw, Dan D’Souza
Instrumental Ensemble / Finnegan Downie Dear
Caroline Shaw Is a Rose
Nicky Spence, Davóne Tines
Philharmonia Orchestra / Oliver Zeffman
Platoon PLAT 19467