Julian Henao Gonzalez
Praised for his “noble vocal colour” (Wiener Zeitung) and his “smooth, golden tenor” (Der Standard), Julian Henao excels in a repertoire including works by Bizet, Debussy, Donizetti, Handel, Mozart, Rossini, Salieri, Tchaikovsky and Verdi.
As a member of the Young Ensemble at the Theater an der Wien, he sang roles including Pelléas Pelléas et Mélisande, Ernesto Don Pasquale, Toniolo in Gassmann’s Gli uccellatori, Pilade Oreste, Ferrando Così fan tutte, Christgeist Die Schuldigkeit des ersten Gebots, Lucio / Gondoliere in Rossini’s Otello, Bandiera in Salieri’s La scuola de’i gelosi, Harlekin / Solider in Ullmann’s Der Kaiser von Atlantis and Malcolm Macbeth.
Recent engagements have included Pilade Oreste at the Halle Handel Festival, Mengone Lo speziale at the Teatro Barocco, Stift Altenburg, Don Ottavio Don Govanni for Vienna Festival Opera, Tamino Die Zauberflöte in Oberursel and Phillippsburg, The Son / The Journalist Les mamelles de Tirésias and Torquemada L’heure espagnole at the Wiener Kammeroper, Count Almaviva Il barbiere di Siviglia and Conte Alberto L’occasione fa il ladro at the Tiroler Festspiele, Erl, Pilade Ermione for his debut at the Teatro San Carlo, Naples, Rodrigo / Egoldo Matilde di Shabran at the Rossini in Wildbad Festival and Tenor Soloist Die Backchen (The Bacchae) at the Burgtheater, Vienna.
Conductors with whom he has worked include Bertrand de Billy, Rubén Dubrovsky, Patrick Hahn, Andreas Leisner, Antonello Manacorda, Alessandro De Marchi, José Miguel Pérez-Sierra and Toby Purser.
Julian Henao first studied singing with Prof. Bernardo Sánchez and Maestro Detlef Scholz at the Universidad de Antioquia and the Academia Bernardo Sanchez in his native Colombia, making his stage debut as Saboyano Luisa Fernanda at the Medellin Opera House. He continued his vocal studies at the Universität für Musik und darstellende Kunst in Vienna with Edith Lienbacher and Regine Köbler and continues his studies with Jésus León.
Please note that this biography is not to be used for programmes. Current information is available on request.
Pelléas: Pelléas et Mélisande / Theater an der Wien
“Juan Henao Gonzalez replaces the usually shy and melancholic portrayal of the role with a much livelier account.”
Mengone: Lo speziale / Teatro Barocco, Stift Altenburg
“Julian Henao Gonzalez with his bright tenor, absolutely secure in the upper register…”
Ferrando: Così fan tutte / Theater an der Wien
“As Ferrando, Julian Henao Gonzalez is a lively Tenor with real strength to his sound.”
Son / Journalist: Les mamelles des Tirésias / Wiener Kammeroper
“Juan Henao Gonzalez, with a voice as smooth and supple as liquid gold.”
Pilade: Oreste / Halle Handel Festival
“Julian Henao Gonzalez impressed with firm tenor tone as Pilade…”
Pilade: Oreste / Theater an der Wien
“Julian Henao Gonzalez offered an affecting “Caro amico, a morte io vo” imprisoned alongside his friend, especially in the repeated pianissimo passages”
Rodrigo / Egoldo: Matilde di Shabran / Rossini in Wildbad Festival
“Julian Henao completes the ensemble wonderfully well in the double role of Rodrigo with his mellifluous tenor…”
Online Musik Magazin
Lucio / Gondoliere: Otello / Theater an der Wien
“Julian Henao made a positive impression in the role of Lucio.”
“The short aria of the Gondolier, “Ah! dagli affanni oppressa” was in the safe hands of the Colombian-born tenor Julian Henao.”
Count Bandiera: La scuola de’ gelosi / Theater an der Wien
“The star of the evening is Julien Henao Gonzalez, who enchants with his flexible, golden tenor.”
Malcolm: Macbeth / Theater an Der Wien
“Julian Henao Gonzalez was well cast as Malcolm…”